Copywriting
Headlines, body copy, scripts and captions that sound like a person wrote them.
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Service /02The actual stuff people see. Copy that sounds like a person wrote it, films that hold attention past the third second, and design that doesn't need explaining.
The Short Version
Most content fails at the idea, not the edit. So we start where it actually matters.
Words, film, photography and design sit in the same room here. The person writing the script is the person directing the shoot and the person laying out the frame — which is why the finished thing feels like one deliberate piece rather than three departments' compromise.
We make for the format it's going to live in. A reel isn't a shortened brand film, a deck isn't a document, and a caption isn't a headline with hashtags stapled on.
One brief, one team, one consistent voice across every format.
Headlines, body copy, scripts and captions that sound like a person wrote them.
Built for the first three seconds, not the last thirty.
Longer pieces for launches, websites and sales conversations.
Shot lists, styling and direction so the stills match everything else.
Type, transitions and animated elements that add energy without noise.
Complicated offering, simple story. Usually the piece that unblocks sales.
Pitch and sales decks that hold a room's attention to the last slide.
Dense information, laid out so people actually read it.
The angle worth making. Usually two or three routes for you to react to.
Words and storyboards signed off before a camera or a cursor moves.
Shoot, design, animate — with you seeing progress, not silence.
Edited, versioned per platform, and handed over in formats you can use.
Tell us what you're working on — the brief, the mess, or just a half-formed idea. We'll come back with a straight answer and somewhere to start.
designs.words@gmail.com